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Noel Gallagher's High Flying Birds - Who Built the Moon (2017)(FLAC)(CD)

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Torrent File Content (17 files)

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Music : Rock : Lossless
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 Artist:
Noel Gallagher's High Flying Birds
Title: Who Built the Moon?
Year Of Release: 2017
Label: Sour
Mash
Genre: Rock, Singer-Songwriter
Quality: FLAC (tracks) 
Total Time: 48:47
Total Size: 324 MB


Tracklist:

01. Fort Knox
02. Holy Mountain
03. Keep On Reaching
04. It's A
Beautiful World
05. She Taught Me How To Fly
06. Be Careful What You Wish For
07. Black & White
Sunshine
08. Interlude (Wednesday Part 1)
09. If Love Is The Law
10. The Man Who Built The Moon
11.
End Credits (Wednesday Part 2)
12. Dead In The Water (Live at RTÉ 2FM Studios, Dublin) [Bonus Track]

'While flowing from the same, molten core of melody, songwriting craft and towering self-belief, Noel
Gallagher’s High Flying Birds’ new album, Who Built The Moon? alters the legendary
singer-songwriter’s course following a bracing, two-year creative collaboration with renowned producer, DJ and
composer, David Holmes. Released on Fri 24 November 2017 on Sour Mash, the keenly anticipated follow-up to the
platinum-selling, Chasing Yesterday (2015).

Bursting bubbles of perception, drilling dynamite into cracks
between past and present and painting a daring portrait of the artist as a free man, Who Built The Moon? gathers
vocalists and guest musicians from around the world to breathe life into 11-tracks finely poised between experimental
and a jukebox of ageless influence. Meeting to work in Belfast and London, Gallagher and Holmes tuned into French
psychedelic pop as much as classic electro, soul, rock, disco and dance on a cultured adventure into recorded sound.

If tracks blipping with ethereal, electronic experimentation and French spoken word start rumours of
Gallagher’s restlessness, then instrumentals drifting with a latent, melancholic energy, inspired by European
television soundtracks confirm them. Setting fire to familiarity, Gallagher wrote entirely in the studio for the first
time, leaping into laboratory conditions and a cut and paste adventure with Holmes, turning his back, at least
temporarily, on studied solitude and six strings. The studio door was left open for Paul Weller (organ on Holy Mountain)
and Johnny Marr (guitar and harmonica on If Love Is The Law) to not only bear witness to, but make a mark on a pivotal
moment in Gallagher’s ten studio album career.

The results are exhilarating. Setting the placid
instrumentals and hypnotic, eastern-influenced grooves alongside gutsy balcony-shakers and widescreen, cinematic walls
of sound, Who Built The Moon? is an album for the apocalypse, comforting queasy listeners with shades of the Noel
Gallagher they rely on, while taking the adventurous dancing with him into the flames.

David Holmes, Producer
of Who Built The Moon? says: “People are going to be surprised. I think people love Noel and they’re
desperate for him to make a really big, bold, up-tempo beast of a record – a lot of Noel’s music is quite
mid-tempo. This one is fun.”

How would Gallagher respond to control room commands to: “Stop
‘playing’ guitar!” and “Play me a guitar solo you can dance to!”? Secure in the knowledge
that the man challenging him had a vision to match his undimmed ambition, he entered the same, inventive space. The Man
Who Built The Moon crystallises an outsider’s view of the partnership, flooded with lush orchestration and a
sense of looming drama. It is the sound of an experienced songwriter supported by an accomplice similarly striving
meticulously for perfection, as Gallagher reveals:

“We took a keyboard riff we liked from an unused
track and added chords. A year later we came to deal with it as a song and when we got to the chorus, David kept asking
me to write a new one….again and again and again. I was ready to strangle him. The one that you hear is the eighth
attempt and, you know what? The annoying thing is he was right.”

On blue-touch-paper track, Fort Knox,
barely a note is sung by Gallagher, instead toying with euphoric incantations, while It’s A Beautiful World
bubbles with progressive, ambient electronica. Black & White Sunshine’s 60s, psychedelic pop DNA canvasses
for more traditionalist votes while Holy Mountain is a game of ‘spot the obscure sample’ amidst a joyous
wall of sound. Symptomatic of the unhurried back and forth between him and Holmes, Gallagher says of the latter
track:

“David played me the sample, so I worked out the chords and we demoed just a few, short minutes
of it, taking it away on tour and playing with it. When it became a song back in Belfast it was so joyous, I just had to
do it justice. What’s more joyous than being in love, baby? So, I wrote a song about love and it’s one of
the best things that I’ve ever done.”   Show Demonoid some
love with  BitCoin: 1DNoid2VRyfYn9T38Z1SZ5XncG7WMgCeUL How to get
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